ArchDaily.com

Architecture is often presented as the visible expression of its time, its desires, its faith in progress, its idea of order. Yet this reading tends to flatten the conditions under which buildings are produced. It suggests that architecture follows history when, in many cases, it actively participates in it. Few periods make this more evident than the twentieth century, when architecture became deeply entangled with political programs, economic systems, and competing visions of how collective life should be organized.

Delta Business Center redefines the corporate building as a strategic asset: a structure designed to reduce operating costs, adapt to future change, and preserve long-term value.

Venus Bay is located in South Gippsland, a narrow peninsula of land with Bass Strait to the southwest and Anderson's Inlet to the northeast. Hide House in Venus Bay is located on the crest of a sand dune amongst coastal Tea Tree. The house enjoys views to the waterways of the inlet to the north and the grassy tidal plains to the east, while turning its back to the strong, predominant south-westerly winds that are a common feature of the area.

The project is located within the Qingshuihe Railway Relics in Shenzhen. The original building was a railway warehouse are sandwiched between the road and the railway; however, we believe that this crowded urban relationship is a unique landscape and place phenomenon. How can we transform heaviness into lightness, proximity into distance, darkness into brightness, and discover the unexpected in the everyday landscape? What is scenery? We hope to ponder these questions in our projects.

Svatman (स्वात्मन्)—literally, to be immersed within oneself—is conceived as a retreat that turns inward even as it remains deeply rooted in its landscape. Set within the undulating terrain of Shoolagiri, where rocky ground and dry vegetation define the horizon, the house resists the urge to announce itself. Instead, it settles quietly into a fertile mango belt, allowing the rhythms of cultivation and seasonality to shape its presence.

On an ancient wine pool, built of reinforced concrete, a volume of antagonistic material tectonics is added to the existing structure, following the industrial logic of the sector.

Developed for one of the courtyards of the igus factory in Cologne, the Modular Pavilion creates a space for breaks, informal meetings, shared meals, presentations, and temporary events within the industrial campus. Integrated directly into the daily routines of the factory, the structure introduces a quieter and more open environment alongside the existing production buildings.

The cabin on the banks of the Sázava River replaces its predecessor on the same site. After the original cabin burned down, only the stone plinth remained, which the new structure naturally incorporates. It provides protection from flooding and offers a sense of perspective — over the river and perhaps over everyday haste.

"There is no space without event, no architecture without action." When Bernard Tschumi wrote these words, he was articulating a fundamental principle of the architect's practice. Architecture is about behavior. Every stroke of a pen on a floor plan is a proposition about how occupants will move or what actions become possible.

This house was not built in opposition to the terrain – it was shaped by it. Located in the Beskid Mountains, on a demanding plot with a distinct slope, the house quite literally "yaws" – turning toward the southern exposure, embedding itself in the topography and surrounding landscape.