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Situated on a 1,000 m² site in the suburbs of Tokyo, this single-family residence explores how domestic architecture can mediate between the contrasting spatial conditions of city and forest.

In an era where luxury architecture often succumbs to globalized repetition, the new development by Perkins&Will São Paulo in Campo Grande (MS) emerges as a turning point.

Arising from meadow-like tall grasses is ABC's new socio-educational center, delivered last July. Despite appearances, it is no countryside landscape but a dive into the atypical Borny district of the French eastern city of Metz.

In the first months of 2020, the coronavirus pandemic evolved from a localized infectious disease into a chronic global emergency. The bizarre took over human existence, and everyday life was transported into a state of magical realism. In One Hundred Years of Solitude, Colombian author Gabriel García Márquez describes how the town of Macondo was subject to strange phenomena, such as the overnight proliferation of rabbits that paved public spaces with small animals, or the sudden fall of leaves carpeting the streets in green within hours. During the pandemic, these strange phenomena were not far from human reality: animals reclaimed urban spaces during mandatory quarantines, and streets transformed into vibrant communal areas filled with greenery and public life in a short period of time.

For centuries, domestic architecture throughout the Gulf has been organized around the courtyard. Houses presented thick exterior walls and limited openings to the street, turning inward toward a shaded garden that structured everyday life. This spatial arrangement responded to both climate and culture. The courtyard brought daylight into deep plans, enabled cross-ventilation, and provided a protected outdoor environment within dense urban fabrics. In the House with Seven Gardens, in Diyar Al Muharraq, Bahrain, the Bahrain-based practice Civil Architecture, one of the winners of the

The Dormis Donata form the connecting axis of KUSKA, a rural complex located at 3,100 meters above sea level in the agricultural landscape of the Sacred Valley of the Incas. Nestled between mountains and terraces, they offer a context in which architecture engages in dialogue with memory, topography, and the cyclical rhythms of the environment. Designed to bridge two modes of habitation—permanent and temporary—they serve a key role as an intermediate space between the private core (next to the Home) and the communal core (next to the Quincho).

Located in Istanbul, Türkiye, an 84-hectare neighborhood is currently under development in the Riva area of Beykoz along the city's Black Sea coast. The master plan has been developed by an international design team including Snøhetta, Bjarke Ingels Group, and MVRDV, alongside local practices KEYM, DB Architects, Rasa, and

The power of the site - The Aubusson Tapestry Museum is situated in an exceptional context shaped by a rich history and a powerful natural environment. The Creuse capital of tapestry has been marked by its history since the royal manufactory of the 14th century. Its landscape is characterized by a granite base carved by the Creuse and the Beauze rivers, flanked by two wooded hillsides. This entire valley-town is dotted with historic monuments that form the northern panorama of the museum garden, with at its center the Clock Tower, a remnant of the protective wall that once surrounded Aubusson.

On March 5, 2026, Skidmore, Owings & Merrill (SOM) revealed images of a new landmark project in Kazakhstan, in Central Asia. The project consists of two towers, the "Iconic Complex," and a master plan for the area, the "Gateway District." The complex is located in Alatau, a new city along the Almaty–Qonaev highway planned to become an international investment hub. A strategic project for the country, the city's master plan extends through 2050, with the first phase of major infrastructure projects s

This week has been marked by the deliberate, rampant, and unjust destruction of war in Southeast Asia. As one of the most damaging manifestations of human abuse of power, we have witnessed the destruction of places that hold memories and sustain culture, as well as the loss and irreparable harm to the human lives that lend them their identity. With the expectation of offering brighter and more constructive scenarios in the future, we present, in contrast to this reality, a scenario of progress in the gender gap that characterizes architecture and its paths forward, a group of landmark projects of public and community interest moving f