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The renovation of the Gardiner Museum's ground floor was guided by three core principles: Accessibility, Connectivity, and Indigeneity. The project aimed to create a welcoming, flexible, and culturally resonant environment while highlighting the museum's world-class ceramics collection. A key inspiration was the desire to strengthen visual and physical connections across the ground floor, provide improved circulation, and recognize Indigenous ceramic traditions through the museum's first permanent gallery dedicated to Indigenous works, designed by Chris Cornelius of studio:indigenous and curated by Franchesca Hebert‑Spence, the museum's inaugural Curator of Indigenous Ceramics.

Passive House Forest Retreat proves that environmental performance and refined design ambition are not only compatible, they are mutually elevating.

The courtyard is often remembered as a figure from the past, an inward-looking space of nostalgia, culture, and domestic ritual. But this framing misses its primary role. Before it was symbolic, the courtyard was operational. It organized air, moderated light, and absorbed heat. It did not decorate architecture; it made it habitable. In contemporary housing, these functions are normally delegated to mechanical systems, applied after form is fixed. In courtyard houses, they are resolved spatially, before a wall is even built.

School at Belgaon Dhaga begins by moving beyond the rigid functions of the original building, using the new addition to foster spontaneous activity and unscripted interaction. The intent is to create informal learning environments that offer freedom and encourage a better exchange of knowledge between everyone inhabiting the space. Through this approach, the extension becomes a tool to bridge the gap between formal use and informal discovery, turning the in between zones into meaningful places of engagement.

Bringing together a week of exhibitions, installations, and industry exchange, Milan Design Week 2026 and the 64th edition of Salone del Mobile.Milano concluded on April 26, following six days of programming across the fairgrounds and the city. Held from April 20 to 26, this year's events reaffirmed Milan's central role within the global design calendar. The Salone itsel

Amidst the rolling vineyards and ancient olive groves of Zakynthos, the Root Cabin by London-based architecture practice Kasawoo presents a bold and quietly radical response to the pressures of tourism-driven development in rural Greece. Compact yet deeply intentional, the 2.5m x 8m prefabricated timber retreat champions minimalism, off-grid living, and cultural rootedness - a sharp contrast to the sprawling concrete villas increasingly dominating the island's landscape.

The Pantheon in Rome is globally known as a major tourist and architectural icon, a built testimony to both Greek culture and Roman technique, and a symbol of the Roman Empire. The monument was recently intervened upon by the Italian architecture studio STARTT (Studio of Architecture and Territorial Transformations). The project, titled Pantheon – Micro Architectures for Archaeology, was promoted by the Italian Ministry of Culture as part of a program of interventions initiated in 2019 to open public access to the archaeological areas of the Pantheon. STARTT's project represents the first phase of the program, focusing on opening a ne

Architecture is often understood as a matter of enclosure. Walls define space, separating interior from exterior and establishing clear limits. Yet across many projects in Latin America, this distinction becomes less precise. Rather than operating as closed objects, buildings often remain open, allowing air, light, and movement to pass through them.

From the outset, the design of this Pomona residence was shaped by a shared appreciation between architect and client for the extraordinary landscape that defines the site. The ambition was straightforward but meaningful — to create a home of careful craft and quiet confidence; one that belongs to its setting rather than imposing upon it.

The house is located in Vinh Ngoc commune (Dong Anh), which has a close connection with the water surface of Phuong Trach lake, Hai Boi lake, and the Red River. This location generates the idea of ​​creating a House from the Flow – an expression of commonly found residential agglomerations along rivers (horizontally) or along waterfalls (vertically).