ArchDaily.com

Cabin Fever is an international summer school and festival launched by the Hungarian architecture studio Hello Wood, known for its design-build approach and community-focused, sustainable projects. Since its founding in 2010, Hello Wood has become a global platform merging hands-on education with socially engaged architecture. The 2025 edition, powered by VELUX, explored how light and space shape human experience — placing presence, intimacy, and connection at the centre of architecture. This dialogue with VELUX reflects a shared conviction: that the future of building lies in responsibility — in creating spaces with care, with awareness, and with light — offering meaningful alternatives in an overstimulated world. 2025 Concept, Location, Participants. From 23–31 July 2025, the festival took place in Česká Kamenice, Czech Republic, on the grounds of a former textile factory and wartime labour camp — a place that

On the banks of the river in Sainte-Anne-de-Bellevue, Montreal, Mise à Jour Studio undertook thecomprehensive transformation of a heritage home. Formerly divided between a residence and a medical office occupying nearly half of the ground floor, the intervention opens up the spaces and enhances visual connections to the river, while bringing new light into the heart of the house.

It was July 1969, and people on planet Earth were about to witness a historical moment for humanity: the first time a human being stepped on the surface of the Moon aboard the Apollo 11 mission. After this event, NASA landed five more times on the lunar surface, with the last one being Apollo 17 in 1972. Since then, humans have not attempted to return to the Moon until this year, 2026, when they will launch the Orion spacecraft as part of the

This house is an apartment, studio, garage, and workshop all in one. And the home of a cat.

The town of Qingjiang lies between the northern foothills of the Yandang Mountains and Yueqing Bay, with the Furong Pond area at the heart of its regional ecological corridor. Against the backdrop of growing suburban agro-cultural tourism, the project centers on Furong Pond, establishing two key landscape nodes: one at the Ecological Island Wharf and the other at Qingyang Park on the opposite shore. By reviving a short-distance ferry route, the initiative aims to create a distinctive water-based ecological and cultural destination for Qingjiang.

The Reimei Kobashi footbridge, which connects Kachidoki Station and Harumi 3-chome in Tokyo's waterfront district, opened to the public on March 25, 2024. This footbridge crosses the Asashio Canal to Grand Marina Tokyo, with a soft arching design reminiscent of gentle waves rolling over the water's surface.

Leaving behind the urban fervor of Quito requires a slow decantation, a change of pace where asphalt finally yields to the vegetation of the dry steppe. In the Guayllabamba valley, architecture does not seek to conquer the land but to coexist with it; the House in the Forest arises from this premise, not as an imposed structure, but as a device for inhabiting time. The project is best understood under the logic of the "nest": a structure that weaves intergenerational memories and, instead of settling heavily, decides to levitate over a landscape that it barely disturbs.

One of the many misconceptions that has preoccupied the world of architecture in recent decades is that architecture's noble existence occurs only in the built world.

Bosrijk is a residential area west of the city of Eindhoven, located on a former military defense site. Housing in Bosrijk is designed as 'sculptures in a garden'. For a small plot next to an existing natural rainwater infiltration facility, the office designed a sculpture with five single-family homes, in which the idea of 'living in a forest landscape' was the leitmotif.

Shou Sugi Ban is a traditional Japanese technique for wood preservation that involves charring the surface of timber to create a protective layer. While its origins are rooted in practical durability, the method has been widely adapted into the modern built environment and shapes a unique and distinctive aesthetic. It is a material of contradiction: it remains bold in its visual language due to its dark tones, yet it simultaneously borrows from and complements its natural surroundings, allowing houses to settle quietly into their sites.