ArchDaily.com

At the edge of the Limfjord in Northern Jutland, Denmark, Doverodde Købmandsgård is being transformed into a new cultural and landscape destination. Reiulf Ramstad Arkitekter has designed two closely intertwined projects for the site: SMK Thy and the Nature Village, together forming a new meeting point between art, landscape, and community. The historic merchant estate at Doverodde is one of the region's most significant cultural heritage environments. The project builds upon the site's existing structures and spatial qualities, carefully transforming the former trading complex while preserving its historic character. Through a strategy of adaptive reuse and minimal intervention, the architecture reactivates the ensemble of warehouses around a courtyard and harbors spaces while opening them towards the fjord and the surrounding landscapes of Thy.

A New Chapter in a Victorian Village. On a quiet street lined with welcoming verandas and finely crafted woodwork, two women from Montreal found the perfect place to begin anew. Drawn by the village's timeless charm and tranquil atmosphere, they purchased a neglected 1970s bungalow with a vision in mind.

Deep in western Honduras, within a valley near the Guatemalan border, lies the ancient Maya city of Copán. Flourishing during the Classic period between the fifth and ninth centuries CE, the city developed as a regional epicenter through trade networks, dynastic politics, and monumental architecture. Today, the site is designated a UNESCO World Heritage Site due to its extensive architectural remains, including stepped pyramids, sculpted stelae, and ceremonial core. Over a century of systematic archaeological research has documented its urban morphology, revealing distinct residential districts, civic spaces, and systems of movement and visibility.

Tømmertempelet/Timber Temple sits on a sloping site in Sinnes, Sirdal — a mountain settlement in Agder, Norway. At the time of the project, readymade cabins in an artificially traditional style were being erected throughout the area. The cabin was designed in response: a contemporary reinterpretation of the heavy, sedimentary stacking of traditional Norwegian timber buildings — the stabbur and the loft — while maintaining a sharp, contemporary line.

Inside the Beijing Electromechanical Institute compound, trendy shops and creative studios sit alongside abandoned factories, while stylish young people walk beneath withered ivy. Deja Vu Recycle Store calls this neighborhood home—a place defined by striking contrasts, where old and new intertwine. The first time we saw the site, we were struck by a sense of ruin. Dead vines crawled up the exterior walls, tangled wires hung loose, a long-abandoned garbage shed stood in the corner, and a massive old chimney dominated the center. But as we passed through the foyer and ascended to the second floor, the symmetrical windows on the north and south sides opened up, along with the skylights above, letting sunlight pour in. The entire space brightened, feeling like a bustling old railway station from another era.

One big problem seen in cities today is the complete separation of private and public space. This was not the case in the past. If we look at traditional Korean architecture, a linear space of a flooring deck (like a balcony) can be found under the eaves. This liminal space can neither strictly be seen as an interior nor an exterior space. This allowed not only for the users to linger around, sit down, and talk among themselves, but also to socialize with the people outside.

Located next to a mosque in Almaty, TAL has long been known as a place for family gatherings, memorial meals, and large communal dinners. The renovation sought to rethink the space without severing its connection to the past — preserving its familiar atmosphere while introducing a calmer, more contemporary, and architecturally cohesive identity. From the outset, the project aimed to avoid literal stylization or overtly decorative references to national motifs. Instead, the design is shaped through materials, light, proportions, and spatial rituals. The interior draws from the culture of shared dining and everyday family traditions, translating them into a contemporary architectural language.

The name of the project comes from the presence of a large tree on the site, a Jevió, which becomes the starting point for the design. Order, modulation, rhythm, and continuity of spaces are the principles that define the architectural proposal of the house. The house was placed next to one of the property boundaries to maximize the garden area. The floor plan is L-shaped, and from the front facade, two slightly offset rectangular volumes are barely distinguishable. Only upon entering the interior is the extent of the volume perpendicular to the facade revealed, extending almost to the end of the site.

Initial Situation - Centrally located within the commercial zone of the village of Contone, a three-storey winery is to be constructed. The site is situated directly along the main road, positioned in front of an existing commercial building that houses a restaurant and a flower shop. The new facility will accommodate production, technical, and storage areas, as well as an oak barrel cellar that doubles as a tasting room.

Ulster House, Toronto's first multiplex condominium, exemplifies gentle density, market affordability, thoughtful design, and environmental responsibility. A self-initiated project by LGA principals Janna Levitt and Dean Goodman, the development challenges policies and perceptions, paving the way for a new housing typology. It presents a viable, sustainable infill strategy to introduce medium-density housing into established neighbourhoods.