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Located in the Altos de Trancoso condominium, the project was based on studies of wind direction and solar incidence in the region to structure the implementation and spatial organization of this vacation home, thereby ensuring the use of natural resources and providing thermal comfort to the environments. Another ally of the proposal was the landscaping created, which allows the house to open up to sunlight without losing privacy in relation to neighbors. As a complementary strategy, photovoltaic panels were incorporated, enhancing the energy performance of the residence.

Tolka Estuary Greenway at Dublin Port forms part of Dublin Port's "Distributed Museum" initiative and was opened to the public in September 2024. Located on Dublin Port lands along the northern edge of the port peninsula, the 2.2km greenway has delivered views of the city, the bay, and the port from lands that were previously inaccessible wasteland.

Drawing from the New England archetype of a connected farmstead, this house utilizes three gabled forms to distribute program via "big house", "little house", and "barn." The architectural language borrows from and updates agrarian architecture and extends it across all volumes. It diverges from the traditional paradigm through its connections, staggering and separating the volumes while infilling the interstitial spaces with glass. These connectors overcome a deficiency with traditional architecture, providing direct connections to the adjacent meadow.

In Latin America, the ground is rarely just a surface to build on. It can be a river edge, a steep slope, a humid forest floor, a floodable landscape, or a territory under ecological pressure, and in many cases, it carries a history of communities that already knew how to respond to it, building on stilts, on platforms, over water, long before contemporary architecture asked the same questions.

«Transforming, using what already exists. It means accurately observing from the inside and as close as possible, understanding, being curious, being attentive to the places, to the trees, to the people. It means looking positively, with optimism, and taking advantage of that which is already there as an opportunity and additional value.» Anne Lacaton, "Reinvent," November Conferences at Polytecnico di Milano, December 2013.

When walking into a large living space, a hotel lobby, or an open-plan workplace, the first thing that can be noticed is not what divides the space, but what holds it together. There are rarely clear boundaries, no obvious rooms, no strict partitions, yet the space still feels organized. Some areas invite a pause; others dictate movement; others foster community. The transitions are subtle, but legible.

At Salone del Mobile 2026, the 64th edition of the fair unfolded at a moment of transition for the global design industry, where questions of production, collaboration, and long-term performance are reshaping established formats. Held at Rho Fiera Milano and extending across the city during Milan Design Week, this year's edition brought together over 1,900 exhibitors while introducing new curatorial and strategic layers. Among the most significant developments was the first public iteration of "Salone Contract," a long-term initiative developed through a master plan by Rem Koolhaas and

Located in Myeongnyun-dong, Jongno-gu, an area densely lined with red brick buildings, this structure was originally built in 1974. On this site, where layers of time have accumulated, we mark a new beginning through renovation. While respecting the existing traces as much as possible, we sought to boldly express a spirit of curiosity and experimentation. The building serves as a hybrid ground, functioning as both a studio and a residence for sukchulmok and BRBB.

The Museum of Furniture Studies was founded in 2017 in Stockholm, showcasing a collection of more than 1,300 furniture pieces by over 44 international designers. The museum's physical location closed in 2022, maintaining its visibility through its Digital Archive for Design Furniture until it was acquired by IKEA in 2024. This week, Danish architecture studio Cobe announced the transformation of a former IKEA warehouse in Älmhult, Sweden, into a new home for the museum. The project involves converting a closed storage facility into an o

Some cities grow through continuity, others construct themselves through moments of acceleration. Baku, in Azerbaijan, seems to operate somewhere in between. Its historic core, the Icherisheher, still holds a spatial logic that resists expansion: dense, enclosed, defined by proximity and repetition. But just beyond its walls, the city begins to shift. Scale increases, distances expand, and the relationship between buildings becomes less about continuity and more about visibility.