ArchDaily.com

The Telekom Tower, southeast of Konstanz's historic city centre, quite literally stands out from its surroundings. For a long time, this 1970s building stood in stark contrast to its urban fabric, not only for its height but also for its architectural language; it was perceived as an almost alien presence within the city. Converting the vacant office tower into a residential building offered the opportunity for a retrospective integration, and, in a sense, for urban healing. In this context, adaptive reuse has an impact that extends far beyond the immediate construction task. The conversion not only preserves the embodied energy in the existing structure but also avoids the CO₂ emissions that a new building would have generated. The typology of the high-rise itself represents a forward-looking solution for a dense city with a high proportion of green space. The decision to retain the building's substance and bring it to life with apartments gives it a new face. Its original DNA re

It is afternoon in the summer, and the nave of the Sagrada Família is saturated with warm colors. Shafts of amber and crimson sweep across the stone floor, shift as a cloud passes over Barcelona, then deepen again. Around you, visitors slow without quite realizing it. Some raise their phones — not to capture the architecture, but to step into the light itself, positioning themselves in a pool of orange or gold as if the colours were something you could wear.

The G-Beach Residence project originates from the dialectical relationship between the existing Hotel Bellevue, designed by Renzo Menegazzo in 1956, and the surrounding pine forest. The hotel building references the Belo Horizonte Library designed by Oscar Niemeyer in 1955, adopting its main architectural features.

In a three-story factory converted into apartments/offices during the 1990s in the Colegiales neighborhood, the task arose to transform a unit that used to function as an office into a home. The unit consisted of two floors without divisions and a disused terrace due to the shape of its structure, a curved concrete slab that did not allow for the use of the upper floor. Access to it was through a hatch door that separated the unit from this exterior terrace.

On the industrial site of Yangpu's Fuxing Island, Mount Bazaar—a three-dimensional scaffolding installation created for the 2025 Shanghai Urban Space Art Season (SUSAS)—rises from the ground to form a mountainous structure, providing citizens with a new type of public space that integrates commerce, leisure, and scenic viewing.

The Sydney Harbour Bridge Cycleway Ramp redefines access to one of Australia's most significant pieces of public infrastructure. For decades, the northern approach to the Bridge's cycleway ended in stairs, breaking one of the city's most iconic journeys. This project replaces that stair-only access with a safe, legible and fully accessible ramp, completing a long-missing link in Sydney's cycling network and opening the crossing to riders of all ages and abilities.

The school spans approximately 1,25,000 sq. ft. and comprises facilities for a 12-classroom pre-primary school, a 40-classroom primary to higher-grade school, and an 8-classroom integrated PU college. Each of these classrooms comfortably accommodates forty students. The classroom sizes vary in accordance with the grade level.

Located in a residential area of porto alegre, near some of the city’s most important public parks, the building embodies a series of small efforts, small gestures, capable of emphasizing the dialogue between interior and exterior, public and private realms, thus favoring the relationship with the street.

We were commissioned to develop the interior design and branding for La Piada in Zurich's Kreis 1 district – a place that combines authenticity, atmosphere, urban flair, and Italian joie de vivre.

Delivered in Spring 2025, this residential renovation within Toronto's historic Candy Factory Lofts reinterprets a 1907 confectionery plant as a contemporary home shaped by layers of industrial, cultural, and spatial memory. Located in downtown Toronto, the building has served multiple lives: first as a textile mill, later as a site of labor activism, and, in the 1990s, as one of the city's earliest large-scale adaptive-reuse projects, helping reintroduce residential life to the urban core. Beneath this industrial narrative lies an older geography: the Carrying Place, an Indigenous trade route used by the Wendat, Seneca, and Mississaugas of the Credit, whose presence continues to inform the land. The client brief called for a highly efficient, storage-rich home that preserved the openness and character of the original loft while supporting contemporary patterns of living.