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The homeowner is a young man, but has a great love for old Vespas. He and his friends often travel on old Vespas throughout the provinces and cities of Vietnam. But then the time came for him to build a house and get married. He confided to the architect that he probably won't travel much anymore, and he will spend more time in the house. He also wants to build a house not only for him and his wife to live in, but also for his parents, grandmother, and younger sister to live with. The idea started from the homeowner's bedroom.

There are projects that begin long before the design. In Itaipava, in the Fluminense mountains, an old stable from the São João de Icaraí Farm stood as the last vestige of a rural past: an isolated, silent volume, surrounded by vegetation. When we were invited to intervene in the property, the central question was not just to renovate a building that is almost 80 years old, but to understand how to transform this agricultural space into a contemporary country house, without erasing the geography and identity of the place.

The school extension of the Collège des Parcs in Neuchâtel, a building with a contemporary expression, pays particular attention to the city's architectural tradition and heritage.

A rare opportunity to extend an historic property in Belgravia, Studio DERA adds 85m2 of modern architecture to this period home

Ecuador's territory embraces a remarkable diversity of landscapes, ranging from the Pacific Coast to the peaks of the Andes, the vast expanse of the Amazon rainforest, and the volcanic Galápagos Islands. Each region of the country presents its own distinctive characteristics, reflected in its varied environmental, cultural, and social contexts. While Latin American architecture is rooted in rich ancestral traditions, native construction techniques, and local materials, contemporary Ecuadorian architecture expre

There is something familiar in Grant Nimmo's paintings of lush, forested landscapes. The deeply enriching emotional response to being within the time, the temperature, the sounds, and the colours of the natural world. They depict, with a hauntingly beautiful degree of realism, the feeling of being within the complexity of spaces framed within a thickly planted landscape. Their existence today feels almost archival, as if they record an environment increasingly diminishing, still within reach, but only just. Spaces are connected, overlap, and peek out from behind trees. They shift and bend around the life and depth of the landscape. They are connected.

What if the most advanced elements in a bathroom were the ones you could barely see? In spaces where walls, ceilings, and floors form uninterrupted surfaces, fixtures retreat, and water itself becomes the primary material shaping experience. The careful placement of fixtures in bathrooms, such as sinks, taps, showerheads, and shower drains, each asserting their presence as both an object and a function. But what happens when these elements begin to disappear?

From April 20 to 26, Milan Design Week 2026 returns as a citywide platform where design operates as both a cultural practice and a form of exploration. Framed by the Fuorisalone theme "Be the Project," this year's edition shifts the focus from outcome to process, positioning design as a dynamic, human-centered act shaped by intuition, responsibility, and transformation. Installations and exhibitions across the city foreground making as an open-ended condition, one that embraces error, temporality, and experimentation as integral to creative production. Within this context, design becomes a space of exchange between disciplines, materials, and intelligences, reflecting bro

From the first idea by the chairman Yoo Jaesung in 2013, it is a private park ( from 2020 open to the public) where selected architects, artists, landscaper design are invited to dialogue with the natural landscape. The site covers an area totaling 330,000 m2 and takes about three hours to look around in its entirety. The park includes architecture by Alvaro Siza, Seung h-sang (IROJE), Wook Choi, Matsunobu Kawagishi, and Jung Young-sun ( landscape architect)

The 25th edition of the Coachella Valley Music and Arts Festival returns to the Empire Polo Club in Indio, California, from April 10 to 12 and April 17 to 19, 2026, bringing together more than 130 acts alongside an ambitious program of large-scale art installations. Presented by Public Art Company (PAC) and curated by founder Raffi Lehrer in collaboration with Goldenvoice Art Director Paul Clemente, this year's selection explores monumentality through luminance, transparency, and lightness of form. Set within Coachella's desert oasis, the installations invite visitors to engage physically and sensorially, responding to shifting daylight and the evolving atmosphere from sunrise to nightfall.